By Mario A. Pei, Frank Gaynor
Editors Mario Pei and Frank Gaynor assemble crucial phrases and ideas within the broad Dictionary of Linguistics. With a gently crafted headword record and lots of cross-references and available causes, this dictionary will retain readers coming again time and again. Dictionary of Linguistics is the ideal addition to any reader's reference library.
Mario Pei used to be an American linguist and polyglot who really good in Latin, Greek, and French. as well as educating at Columbia collage, Pei wrote a number of books on language together with the tale of English and All approximately Language.
In addition to Dictionary of Linguistics, Frank Gaynor additionally wrote the Philosophical Library vintage, Dictionary of Mysticism.
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Additional resources for A Dictionary of Linguistics
Use a colon to introduce the passage. Here are two examples: Williams supplies us with a telling description of the Wingfield home at the start of The Glass Menagerie: The Wingfield apartment is in the rear of the building, one of those vast hive-like conglomerations of cellular living-units that flower as warty growths in overcrowded urban centers of lower middle-class population and are symptomatic of the impulse of this largest and fundamentally enslaved section of American society to avoid fluidity and differentiation and to exist and function as one interfused mass of automism.
Any vestiges of the Old South are revealed to be nothing more than illusions, evidence of a way of life that no longer exists. The characters function as major representatives of the Old South and the coarser industrial society. Each possesses attributes that are characteristic of the society he or she represents. When the two are paired together, it quickly becomes apparent that the two cannot peacefully coexist. As Stanley says, “the Kowalskis and the DuBois have different notions” (486). Blanche, a ruined Southern belle, is a symbol of the faded Old South.
First, there is the problem of separating the author from his work, recognizing his work as semibiographical rather than autobio- 54 How to Write about Tennessee Williams 55 graphical. Second, the great popularity of film adaptations of the texts can pull our attention away from where it should really be focused—on the original words Williams presents. Third, readers are often overwhelmed by the repetition inherent in Williams’s works. Readers can become frustrated by reappearing character types, similar plot lines, and recurring themes.
A Dictionary of Linguistics by Mario A. Pei, Frank Gaynor