By Judith Barrington

ISBN-10: 0933377401

ISBN-13: 9780933377400

In view that Writing the Memoir got here out in early 1997 it has bought approximately 80,000 copies and is continually praised as "the top booklet on memoir out there." it's thought-provoking, explanatory, and useful: every one bankruptcy ends with writing routines. It covers every little thing from questions of fact and ethics to questions of craft and the the most important retrospective voice. An appendix presents info on criminal concerns. Judith Barrington, an award-winning memoir author and acclaimed writing instructor, is attuned to the forces, either exterior and inner, that paintings to prevent a author; her tone is respectful of the problems and inspiring of taking hazards. Her nimble prose, her deep trust within the significance of this style, and her relish the wealthy array of memoirists writing this present day make this e-book greater than the common "how-to" inventive writing publication. during this moment variation the writer has additional new fabric and displays on matters raised on the grounds that Writing the Memoir was once written, early within the memoir growth. "No scholar of memoir writing might fail to benefit from this clever, pragmatic, and confiding publication. One hears on each web page the voice of an clever and responsive instructor, with years of puzzling over memoir at the back of her."—Vivian Gornick Judith Barrington is the writer of Lifesaving: A Memoir and various person memoirs which were released in literary magazines and anthologies. She is the writer of 3 volumes of poetry: attempting to Be a good lady, historical past and Geography, and Horses and the Human Soul (forthcoming in 2002). She has taught inventive writing for the previous 20 years.

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I lose control. I do not know exactly what words will appear on the page. I follow language. p65 39 2/28/00, 1:36 PM fame, or fortune—none of which is conducive to good writing—it is time to think about what it is that you really care about. In deciding what to focus on, you can find important clues by examining your preoccupations: What things do you think about over and over? What stories haunt you? Which people from the past do you dream about? What makes you passionate when you think about it or talk about it?

Richard Hoffman’s Half the House, for example, is divided into chapters each headed by a date from 1956 to 1990, although they are not always in exact chronological order. Gretel Ehrlich’s A Match to the Heart is subtitled One Woman’s Story of Being Struck by Lightning, which sets us up to read it as a memoir—which it is. Yet Erlich’s own story is interspersed with sections that are more like essays on the nature of lightning. p65 52 2/28/00, 1:36 PM The inside of my eyelids turned gold and I could see the dark outlines of things through them.

P65 42 2/28/00, 1:36 PM my life might resonate with moments in theirs. They might even step right outside their familiar histories and share mine for a while. Whenever a story allows you to enter it in this way, remember that it is because the writer herself has grappled with the events she is recounting and has passionate thoughts about their consequences in her own life. Which brings us back to the importance of caring. Part of why you care, of course, is because you can tell how much she cares.

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Writing the Memoir: From Truth to Art by Judith Barrington


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